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03 October 2013

A Non-Destructive, Adjustable Method for Cutting Out an Image

The Black and White of Masking

In a previous tutorial I described a way to cut out irregular images using the Free Select tool. I used to use that technique frequently, but it's very time consuming, causes a lot of work for the left-mouse-button finger, and leaves a sharp edge unless either you remember to feather the selection before deleting the cutout area or you use the Blur or Smudge tool to soften the edge. It's also destructive to the image and, if you make a mistake, it's painful to fix it.

I have since switched over to using masks. Not only is a mask quicker and easier to use, it doesn't affect the original image, so recovering from mistakes is simple, and if you use a soft brush you automatically get blurred edges. You want blurred edges so that the cutout image blends smoothly into whatever it's in front of.

This tutorial describes how to create the following image using a mask to cut out the background.

Spectacled Owl with No Background
Let me give you my two hoots' worth.


Before you begin masking, if you're cutting something out of a photo, you may want to make all adjustments and enhancements first. When you have the image looking the way you want, create a new layer with a copy of the adjusted image.

Step 1 — Create a Contrasting Background

I find that having a background of a contrasting color helps me make sure that I'm painting my mask correctly. Choose a Foreground color [1] that does not appear in the image and that contrasts as much as possible. Since my image is mostly shades of brown, I chose green. Create a new layer [2] below your image layer, selecting Foreground color [3] in the New Layer dialog.

Creating a Colored Background

Step 2 — Create a Mask

To create a mask on a layer, right-click on the layer in the Layers dialog and choose Add Layer Mask [4]. Select White (full opacity) [5] and click the Add button.

Adding a Mask

We're going to use only white and black on this mask. (It's also possible to use shades of gray for semi-transparency.) Here's an analogy to help you remember the difference between white and black on a mask. Think of the white as a piece of paper. The layer's image is on the paper, so the parts of the image covered by white are visible on the piece of paper. Think of the black as a hole or cutout. The parts of the image covered by black have been removed, so you're seeing what's behind or below the paper.

Step 3 — Remove Large Areas First

Before I start fine-tuning a mask, I generally use the Free Select tool to select large areas that can be removed quickly. Make sure the mask is active. The image layer should be highlighted and the mask icon on the right should have a white border around it. Hit D to set the Foreground and background colors to black and white [6]. Choose the Free Select tool (F) [7] and draw around a large area of the image that you want to remove, then use CTRL+, to fill the selection with black. Repeat until you've removed all the easy stuff.

Masking Out Large Areas

Step 4 — Paint With a Fuzzy Brush

Now choose the Paintbrush tool (P) [8], a Hardness 050 round brush [9], and make the brush Size fairly large [10] to start with. Zoom in on the image so you can see what you're doing clearly. Paint over the still-showing unwanted parts of the image, getting near to, but perhaps not quite touching the parts of the image that you want to keep. Don't worry if you make a mistake. It's trivial to fix.

Painting on a Mask

Step 5 — Fine Tune the Image Edges

To paint right next to the parts of the image you want to keep, you'll need a smaller brush. You want to paint such that the semi-transparent edge of the brush just covers the edge of the remaining image. If you go too far over, use X to swap the foreground and background colors, then paint white over the image. Swap the colors again to continue painting out the background.

Masking Fine Detail

During this stage you'll probably be adjusting the brush size often, especially if you have to paint around or along hairs. Just take your time and pay close attention. For really small brush sizes, you won't get much, if any, edge blur, so you may have to touch up some edges with the Blur tool or the Smudge tool. You can also use the Smudge tool to slide black or white between or along hairs. You can even select an area and use Filters > Blur > Gaussian Blur with a small number to blur the edges.

TIP: Use CTRL+SHFT+J to resize the image to fit the image window.

Finishing Touches

Once you're finished with the mask, as a final check, put a white background behind it to check for missed spots. If you have a very light image, put a black background behind it. Touch it up as necessary.

You can now add a background of your choice, or hide all the layers except the masked one and save it to a PNG file with a transparent background.

Here's what I did with my owl cutout. (Special thanks to my husband for advice on the framing.)

Spectacled Owl with Background

Update 24 July 2014

Over time I've changed my masking method. These days I use the Free Select tool and draw around the edge of the part of the image that I want to cut out, essentially using the method described in GIMP 2.8 Tutorial: Which Tool Should I Use to Cut Out an Irregular Image?, working on the mask instead of the image itself. After I get the cutout basically how I want it,  I use a small Gaussian Blur on the mask to make the edges of the image blend better into whichever background it eventually gets put on. Then I may finish touching up the mask with the Paintbrush or use the Smudge or Blur tools around hair and feathers until I get them to look right.

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